Photo Composition, and use of angles - Ian Niblack

In my book, Photography: The guide to taking beautiful digital pictures, photographs and compositions, I have learned so much. So, I decided to share with you about what I have learned regarding angles and photo composition.

In Photo composition, you are supposed to imagine (Or Utilize) a 6 section grid overlaying your photo as you're taking and editing photographs. The grid is used to guide where your place your subject within the frame. If you about how to line up the subjects features to where they should be on the grid, then you can keep your photos from looking tacky and unprofessional. But as soon as you properly line up the subject, you photo can look 10x better. Certain parts of the subject should not be cut off by the frame, like the top of their head, or any of their joints. (You can see how i used to this to help make my photo look more professional below)

I also used a low angle. When using angles, you have to consider what parts of the subject you are trying to capture, as well as how you want them to look within the image. In my photo below, I used a low angle to help capture the size of the mountain compared to the small subjects. With the way my subjects are approaching the mountain and looking onward, it really makes this candid shot feel hopeful and brave, as if the subjects are going to "conquer the mountain"

Photography - close ups on flowers

Photography was always something that fascinated me; with all the different aspects, like lighting, angles, exposure, and background, just to create the perfect picture. In this first blog post, I will focus on some techniques with taking close up pictures on flowers.

This picture was taken on my trip to Spain over the summer, when I was at La Alhambra in Granada. I took a close up picture on this pink rose with the landscape of part of La Alhambra in the background. The background is blurred, which enhances the flower and shows that the flower is the central focus of the picture. However, according to Robert Sheppard in The Magic of Digital Nature Photography, "Where a flower lives can be an important thing to include in a photograph. A close-up of a delphinium flower, for example, could be done in a garden or at its native sight in the mountains. While both shots could be great, the close-up won't define the location." From this, I can learn to not use the close-up setting so that I can show the location of the flower. However, this will take away the focus on the flower in the photograph. When wanting to isolate a flower, doing a sharpness contrast can help, which is making the subject sharp and the background unsharp (blurred). Using the close-up or program feature may make the camera choose an f/stop that "creates too much depth of field, resulting in a lack of sharpness contrast." (Sheppard, 124). The best way to use a sharpness contrast is using the widest aperture to create a fast shutter speed that then maintains proper exposure.

The picture was taken at eye level, which helps elevate images. According to Sheppard, "An effective way of photographing a person is to put your camera right at their eye level. The same thing is true about flowers. The most common angle of flower photography is from above looking down, which can make it dull. While that is the way we see flowers, it is not the most effective view of them. Getting down low to blossom level will often elevate your images." (Sheppard, 121). This tells us that flower photographing flowers is somewhat similar to photographing people because of some of the angles at which you photograph the subject.

Lastly, the background setting is important for the photograph. As I said before, this picture was taken at La Alhambra in Granada, Spain. The flower was located on a ledge in the garden in La Alhambra. Having a part of the tourist attraction helps give context of where it is located. From the photograph, you may infer that the flower is on a ledge because of the landscape behind it and its relation to the flower. Some other plants are seen in the landscape, as well as the other parts of this famous historical tourist attraction. In addition, the photograph tells us that it is outdoors and that the flower could be near some buildings.

To finish this off, did blurring the background affect what you think the location was? Was blurring the background through the close-up feature a good artistic decision or should I have not used the close-up feature at all? What suggestions may you have for showing the location and using sharpness contrast?

Citation: Sheppard, Rob. The Magic of Digital Nature Photography. Second ed. New York: Lark, 2007. Print.